i gave a lecture about making: craft, commodity and intimacy !
some of the images from the lecture:
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Shoes from Alexander McQueen’s Spring/Summer Collection 2010 |
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Art with Fuze Beads, artist unknown |
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George Peteran, Prosthetic, 2001
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Robert Morris, Untitled, 1970 |
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Peter Voulkos, Untitled Plate, 1989 |
|
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Piet Mondrian, Composition No. 8, 1939-42 |
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Jean-Charles de Castelbajac Jacket and Yves Saint Laurent day dress, 1961 |
Mike Kelley, Craft
Morphology Flow Chart, 1991
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Mike Kelley, More
Love Hours Than Can Ever Be Repaid,
1987
|
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Tracey Emin, Hate
and Power Can Be A Terrible Thing,
2004
|
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Janine Antoni, Slumber, 1993
|
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me spinning wool
Brian Jungen, Prototypes for New Understanding, 1998-2005 |
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Yinka Shonibare, How Does A Girl Like You Get To Be A Girl Like You, 1995 |
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Yinka Shonibare, Leisure
Lady (with ocelots), 2001
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Comme
des garcons,
Spring/Summer 1997 Collection
|
Anne Wilson, Mendings,
1995
|
“The
body is always in-the-making; it is always a vital entanglement of heterogenous
scales, times, and kinds of beings webbed into fleshly presence, always
becoming, always constituted in relating.”
Donna Haraway, When
Species Meet
“To come to accept the body’s unmaking,
I need to re-member its becoming. I need to recognize all the members, animate
and inanimate, that make up the knot of a particular life.” Donna Haraway, When
Species Meet
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